The low pass filters can help to dull an otherwise overly metallic timbre.
#Drumspillage 2 kvr full
Better labelling of these controls should appear in the full release. White band = frequency, red = decay time and yellow = low pass frequency. The 3 bands are accessed via the graphical interface. Each comb filter features frequency, decay time and lowpass filter controls. New in V2 is a 3 way parallel comb filtering unit. The filters are capable of high resonance so some caution with high Q values is recommended. Cutoff and Q can be modified using the 2D control. Analog modelled low pass and digital low/high/band and notch filters in 12/24dB flavours. The multimode filter provides 5 filter shapes. The y-axis of the target control affects the drive of the distortion whilst the x-axis typically controls a more subtle parameter such as envelope bias or in the case of the digital algorithm a blend between two forms of clipping. Saturation is the most general purpose algorithm whilst the digital algorithm is the most unforgiving. Saturation, Warm Clip, Soft Clip and Digital style. The distortion unit provides a pre-distortion filter and a wet/dry balance control. There are new distortion effects in V2 and a new 2D target style control to control them. The frequency slider can also be used to scroll though lock values.
Clicking the frequency box above opens a pop up menu from which you may choose a different lock value. The metronome icon toggles tempo locking. Interestingly the frequency can be modulated by another LFO or even an envelope source. The stepper is available as a modulation source on modulate able controls.ĭrumSpillage 2.0 offers 4 LFOs per pad. You’ll be presented with a pop up menu to choose the step timing. Timing of each step can be adjusted by clicking the timing box (shown here as 1/8). The envelope can be set to loop (or not) and the number of steps can be adjusted to accommodate interesting rhythmic effects (e.g. The stepper is a 16 step editable envelope source with control over step tempo division. with the exception of the new Stepper envelope and improved tempo lock menu. The envelope editor is mostly the same as V1.0. Scrolling through the models is non-destructive so if you cycle through several models you can return to the sound you originally had. The model selector menu changes the current model in use. This is useful for when the model has been changed and you find you want to return to a default state. Positive values cause velocity to excite the control whereas negative values push a control’s value down. If a velocity control is set to a value other than 0.0 (mid point) and the velocity switch is ‘off’ then a small ‘V’ indicates that the control is set. The velocity switch toggles their visibility but the controls are always active regardless. V2 features a new velocity system which operates in a similar fashion to the modulation controls. This approach is mirrored elsewhere in the plugin. The depth of the effect is controlled by the modulation slider labelled ‘M’. Pitch can also be modulated by any of the LFO or envelope sources and is accessed via the menu above the slider. Presence provides a little more boost and warmth allowing sounds to cut through the mix a little more. This is especially important for bass drums but also useful on snare for example. The pitch envelope contours the pitch according to the current state of the pitch envelope. Pitch controls the basic fundamental for the pad. The pitch and presence controls (formally ‘Emphasis’) have been standardised for each model. In the model editing section you’ll find a standard tool bar containing essential controls such as load/save pads, mute group, output port and panning. When keyboard mode is activated a pad can be played across the entire MIDI keyboard range. Mute, solo and load/save pad buttons are also provided along with peak metering and oscilloscope views. The pad interface displays 16 pads simultaneously including volume and pan controls. Global kit volume can be adjusted by the scrollable box next to the main output meters. Kits can be cycled via the left/right arrows. The main editing mode is selected via the two icons at the top left. Pads are currently hard wired to MIDI keys C1 and upwards. 5 beta kits are provided and can be accessed via the kit load/save menu.
Upon instantiation you’ll be presented with a basic default state. DrumSpillage features 12 original drum models designed for synthesizing a diverse variety of unique electronic percussion sounds.
#Drumspillage 2 kvr for mac os
Welcome to this DrumSpillage quick start guide! DrumSpillage 2 is a 16 part multi model drum synthesizer plugin for Mac OS X.
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